What a fun game to play with logos.
The Truth Behind Famous Logo Design
From Lost in Lace, just opened today in Birmingham, there are a whole selection of some very talented artists exhibited here. I couldn’t stop snapping pictures the whole time I was in there, some of the lace works are incredible. The exhibit is running until February so I think you should try to get and see it if you can! Go to the exhibit website for a full list of all exhibiting artists.
P.S. it’s free to get in which is even better.
The Top 10 Art World Figures I’d Like to F***
SAN FRANCISCO — With all this extra time to daydream about the perfect relationship, I’ve composed a list of the top 10 art world figures I’d like to do the nasty with. Some are expected, some are not. Some are for social climbing purposes, some are not. But really, all are for love. READ MORE
By Eliot Henning, cross stitch is one of my favourite mediums for textile art, so I always love it when I see someone who makes me smile and really eager to see more of their work. These are funny, witty, imaginative and fun, I can’t think of anything better.
LAUGHS! by Everynone via Vimeo Staff Picks
Chuckle, chortle, guffaw, cackle, giggle, titter, twitter, snigger, snicker, yuk, tee-hee, roar, hoot, and howl!
Laughter is such a wonderfully universal phenomenon. We all do it! There is a real purity to those moments when we lose all control and give in to our funny bone.
Yung feeling na masaya ka pag nakikita mo siya , kahit para sa kanya wala kang HALAGA.
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| — | Yung feeling na masaya ka pag nakikita mo siya , kahit para sa kanya wala kang HALAGA. |
Tony Conrad
Exposure timing sheet used by Conrad in making The Flicker. (Photo by Robert Adler).
The Flicker (1965) by Tony Conrad is a classic among modern experimental films. In this abstract work, Conrad created a new filmic condition by modulating the fundamental energy source of the cinema, projected light. By alternating solid black frames with solid white frames, in various patterns, he reduced the process of animation to a mental-perceptual plan and explored esthetic possibilities of rhythmic stroboscopic effects.
The subject of The Flicker, unlike other forms of animation, is not a graphically made configuration or moving image, but the dramatic intensity of pure intermittent light itself.
